{"id":8178,"date":"2026-07-15T08:38:10","date_gmt":"2026-07-15T08:38:10","guid":{"rendered":"https:\/\/kenansubasi.com\/?p=8178"},"modified":"2026-07-31T12:09:58","modified_gmt":"2026-07-31T09:09:58","slug":"kadinin-ozgurlugunu-arama-mucadelesi-perspektifinden-jane-campionun-piyano-filmi-uzerine-bir-degerlendirme","status":"publish","type":"post","link":"https:\/\/kenansubasi.com\/en\/kadinin-ozgurlugunu-arama-mucadelesi-perspektifinden-jane-campionun-piyano-filmi-uzerine-bir-degerlendirme\/","title":{"rendered":"An Evaluation of Jane Campion's Film "The Piano" from the Perspective of Women's Struggle for Freedom"},"content":{"rendered":"
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Summary<\/p>\n

Jane Campion\u2019un Piyano isimli filmi, kad\u0131n\u0131n ataerkil d\u00fczene kar\u015f\u0131 m\u00fccadelesi ve kendini bu geleneksel d\u00fczen i\u00e7inde bir \u00f6zne olarak konumland\u0131rma \u00e7abas\u0131 \u00fczerinden kurgulanm\u0131\u015ft\u0131r. Filmin ana ekseni, kad\u0131n\u0131n kimli\u011fini bulma m\u00fccadelesi, cinsellik ve arzu kavramlar\u0131 \u00fczerinden kendini tan\u0131mlama \u00fczerine in\u015fa edilmi\u015ftir. Makalemiz kapsam\u0131nda inceleyece\u011fimiz Piyano filmi hem d\u00fcnya sinemas\u0131nda hem de \u00fclke sinemam\u0131zda s\u0131kl\u0131kla kar\u015f\u0131la\u015f\u0131lan \u00e7at\u0131\u015fman\u0131n ana \u00f6znesi olarak iki erkek ve bir kad\u0131n ili\u015fkisi konumland\u0131r\u0131lm\u0131\u015ft\u0131r. Jan Chapman \u00fczerinde \u00e7ok fazla konu\u015fulan bu kli\u015feyi sessizlik kavram\u0131 ile sentezleyerek insan hik\u00e2yesi \u00fczerinden kad\u0131n\u0131n varolu\u015f m\u00fccadelesinin anlatmay\u0131 hedeflemi\u015ftir. Filmde ana imgelem olarak kar\u015f\u0131la\u015f\u0131lan piyano imgesi, \u00f6zel m\u00fclkiyetin, \u00f6zne olamayan ve nesnele\u015ftirilen kad\u0131n kimli\u011finin bir yans\u0131mas\u0131 olarak ortaya \u00e7\u0131kmaktad\u0131r. \u0130ncelememiz kapsam\u0131nda, ataerkil d\u00fczen i\u00e7erisinde varolu\u015f m\u00fccadelesi veren Ada karakteri feminist kuram ve psikanalist yakla\u015f\u0131m \u00e7er\u00e7evesinde analiz edilecektir.<\/p>\n

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Anahtar Kelimeler: Sinema, Feminist Kuram, Egemenlik, Kad\u0131n, Ataerkil<\/p>\n

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Abstract<\/p>\n

Jane Campion’s framed film The Piano is aptly planned as a subject within a plot for its counterarchitectural order. The main drawing of the film, the design drawing, is designed to create the imaginary. The Piano movie, which we will be in our article, can be experienced both in the world and in two women in the world. Jan Chapman aims to tell the human story by synthesizing this widely spoken clich\u00e9 with conceptualization. Renting a car as the main imagination in the movie is designed in such a way that the specific goal can be conceived by objective users. Within the scope of our review, the character Ada, who struggles for existence in the patriarchal order in general, will be evaluated within the scope of feminist theory and psychoanalyst system.<\/p>\n

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Keywords: Cinema, Feminist Theory, Domination, Women, Patriarchy<\/p>\n

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Assoc. Prof. Dr. Hakan ALP
https:\/\/orcid.org\/0000-0001-9696-8902
Istanbul University-Cerrahpa\u015fa, Technical Sciences Vocational School, Radio and Television Technology Program, Istanbul \/
T\u00fcrkiye<\/p>\n

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Lecturer Kenan SUBA\u015eI
https:\/\/orcid.org\/0000-0002-7416-3617
Istanbul University-Cerrahpa\u015fa, Rectorate, Istanbul\/T\u00fcrkiye<\/p>\n

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DOI Number:<\/p>\n

10.53001\/uluabd.2022.40<\/a><\/p>\n

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\u00d6zet Jane Campion\u2019un Piyano isimli filmi, kad\u0131n\u0131n ataerkil d\u00fczene kar\u015f\u0131 m\u00fccadelesi ve kendini bu geleneksel d\u00fczen i\u00e7inde bir \u00f6zne olarak konumland\u0131rma \u00e7abas\u0131 \u00fczerinden kurgulanm\u0131\u015ft\u0131r. […]<\/p>\n","protected":false},"author":1,"featured_media":8180,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[20],"tags":[71,72,73,74,75,76,78,54,77],"class_list":["post-8178","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-makale","tag-dijital-medya","tag-dijital-sinema","tag-gorsel-imge","tag-gundem-belirleme","tag-gundem-belirleme-kurami","tag-sanal-gerceklik","tag-sinema","tag-vr-film","tag-vr-sinema"],"acf":{"choi\u0441e_menu_page":"global_settings","full_width":false,"header_transparent":false,"header_white":false,"menu_align_page":"default","menu_style":""},"_links":{"self":[{"href":"https:\/\/kenansubasi.com\/en\/wp-json\/wp\/v2\/posts\/8178","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kenansubasi.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kenansubasi.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kenansubasi.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kenansubasi.com\/en\/wp-json\/wp\/v2\/comments?post=8178"}],"version-history":[{"count":10,"href":"https:\/\/kenansubasi.com\/en\/wp-json\/wp\/v2\/posts\/8178\/revisions"}],"predecessor-version":[{"id":8222,"href":"https:\/\/kenansubasi.com\/en\/wp-json\/wp\/v2\/posts\/8178\/revisions\/8222"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kenansubasi.com\/en\/wp-json\/wp\/v2\/media\/8180"}],"wp:attachment":[{"href":"https:\/\/kenansubasi.com\/en\/wp-json\/wp\/v2\/media?parent=8178"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kenansubasi.com\/en\/wp-json\/wp\/v2\/categories?post=8178"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kenansubasi.com\/en\/wp-json\/wp\/v2\/tags?post=8178"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}