{"id":8250,"date":"2026-07-13T10:11:21","date_gmt":"2026-07-13T10:11:21","guid":{"rendered":"https:\/\/kenansubasi.com\/?p=8250"},"modified":"2026-07-31T12:08:47","modified_gmt":"2026-07-31T09:08:47","slug":"yeni-teknolojiler-ve-film-uretiminin-gelecek-normu-sanal-studyolar","status":"publish","type":"post","link":"https:\/\/kenansubasi.com\/en\/yeni-teknolojiler-ve-film-uretiminin-gelecek-normu-sanal-studyolar\/","title":{"rendered":"New Technologies and the Future Norm of Film Production: Virtual Studios"},"content":{"rendered":"
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Summary<\/p>\n

Birbirinin ard\u0131l\u0131 olan ve sonu bir dizi hareketli g\u00f6r\u00fcnt\u00fcye \u00e7\u0131kan teknolojik geli\u015fmelerle icat edilmi\u015f sineman\u0131n varl\u0131\u011f\u0131 g\u00fcn\u00fcm\u00fczde de teknolojinin mevcudiyeti \u00fczerine temellenmektedir. Teknoloji ve sinema aras\u0131ndaki girift ili\u015fki, s\u00f6z konusu gen\u00e7 sanat\u0131 tarihinin her d\u00f6neminde etkilemektedir. Son d\u00f6nemin en pop\u00fcler g\u00f6r\u00fcnt\u00fc \u00fcretim tekniklerinden biri olan oyun motoru teknolojileri de dijital sineman\u0131n \u00fcretim formunu derinden etkileyip yeniden \u015fekillendirmekte, de\u011fi\u015ftirmekte ve d\u00f6n\u00fc\u015ft\u00fcrmektedir. Ger\u00e7ek zamanl\u0131 g\u00f6r\u00fcnt\u00fc i\u015fleme yetkinli\u011fi, sanal kamera olana\u011f\u0131, etkile\u015fimli i\u00e7erik destekleri ve ger\u00e7ek\u00e7i LED g\u00f6r\u00fcnt\u00fcs\u00fcyle oyun motorlar\u0131, canl\u0131 g\u00f6rsel efekt \u00fcretimi ve aktif post prod\u00fcksiyon a\u015famas\u0131na olanak tan\u0131yarak film \u00e7ekimlerini fiziki setlerden sanal st\u00fcdyolara ta\u015f\u0131maktad\u0131r. Yeni teknolojileri oda\u011f\u0131na alan \u00e7al\u0131\u015fma, oyun motoru, sanal st\u00fcdyo, sanal prod\u00fcksiyon ve yeni g\u00f6r\u00fcnt\u00fc \u00fcretim y\u00f6ntemlerini geleneksel g\u00f6rsel efekt y\u00f6ntemleriyle kar\u015f\u0131la\u015ft\u0131rarak sineman\u0131n de\u011fi\u015fen i\u015f ak\u0131\u015f\u0131n\u0131 irdelemektedir. Bu \u00e7al\u0131\u015fma sinema ile yeni g\u00f6r\u00fcnt\u00fc \u00fcretim formlar\u0131n\u0131n ili\u015fkisini sadece teknik bir de\u011fi\u015fikli\u011fe indirgemek yerine sanal g\u00f6r\u00fcnt\u00fc \u00fcretim y\u00f6ntemlerinin sineman\u0131n i\u00e7erik ve bi\u00e7imine etkisini inceleyip yeni film yap\u0131m tekni\u011finin beraberinde getirdi\u011fi metodolojik ve kavramsal de\u011fi\u015fiklikleri ortaya koymay\u0131 ama\u00e7lamaktad\u0131r.<\/p>\n

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Anahtar Kelimeler: Sanal St\u00fcdyo, Sanal Prod\u00fcksiyon, G\u00f6rsel Efekt, Oyun Motoru, Dijital Sinema<\/p>\n

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Abstract<\/p>\n

The existence of cinema, which was invented through successive technological developments that culminated in a series of moving images, is still based on the existence of technology. The intricate relationship between technology and cinema has affected this young art in every period of its history. Game engine technologies, one of the most popular image production techniques of the recent era, have profoundly influenced, reshaped, changed and transformed the production form of digital cinema. With its real-time image processing capabilities, virtual camera capability, interactive content support and realistic LED display, game engines enable live visual effects production and active post-production, moving film shoots from physical sets to virtual studios. Focusing on new technologies, the study examines the changing workflow of cinema by comparing game engine, virtual studio, virtual production and new image production methods with traditional visual effects methods. Instead of reducing the relationship between cinema and new forms of image production to a mere technical change, this study aims to examine the impact of virtual image production methods on the content and form of cinema and to reveal the methodological and conceptual changes brought about by the new filmmaking technique.<\/p>\n

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Keywords: Virtual Studio, Virtual Production, Visual Effects, Game Engine, Digital Cinema<\/p>\n

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Yazarlar: Kenan SUBA\u015eI, Alev Fato\u015f PARSA<\/p>\n

Sempozyum: International Congress of Integrated Social Research and Interdisciplinary Studies, Batumi, G\u00fcrcistan, 30 May\u0131s – 01 Haziran 2024, cilt.1, ss.309-310<\/p>\n

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Detail<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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\r\n \r\n \"Kenan_Subasi_Makale_9\"\r\n <\/a>\r\n <\/div>\r\n <\/div> \r\n <\/div>\r\n\r\n \t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

\u00d6zet Birbirinin ard\u0131l\u0131 olan ve sonu bir dizi hareketli g\u00f6r\u00fcnt\u00fcye \u00e7\u0131kan teknolojik geli\u015fmelerle icat edilmi\u015f sineman\u0131n varl\u0131\u011f\u0131 g\u00fcn\u00fcm\u00fczde de teknolojinin mevcudiyeti \u00fczerine temellenmektedir. Teknoloji […]<\/p>\n","protected":false},"author":1,"featured_media":8252,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[21],"tags":[71,72,73,74,75,76,78,54,77],"class_list":["post-8250","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bildiri","tag-dijital-medya","tag-dijital-sinema","tag-gorsel-imge","tag-gundem-belirleme","tag-gundem-belirleme-kurami","tag-sanal-gerceklik","tag-sinema","tag-vr-film","tag-vr-sinema"],"acf":{"choi\u0441e_menu_page":"global_settings","full_width":false,"header_transparent":false,"header_white":false,"menu_align_page":"default","menu_style":""},"_links":{"self":[{"href":"https:\/\/kenansubasi.com\/en\/wp-json\/wp\/v2\/posts\/8250","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kenansubasi.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kenansubasi.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kenansubasi.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kenansubasi.com\/en\/wp-json\/wp\/v2\/comments?post=8250"}],"version-history":[{"count":4,"href":"https:\/\/kenansubasi.com\/en\/wp-json\/wp\/v2\/posts\/8250\/revisions"}],"predecessor-version":[{"id":8255,"href":"https:\/\/kenansubasi.com\/en\/wp-json\/wp\/v2\/posts\/8250\/revisions\/8255"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kenansubasi.com\/en\/wp-json\/wp\/v2\/media\/8252"}],"wp:attachment":[{"href":"https:\/\/kenansubasi.com\/en\/wp-json\/wp\/v2\/media?parent=8250"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kenansubasi.com\/en\/wp-json\/wp\/v2\/categories?post=8250"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kenansubasi.com\/en\/wp-json\/wp\/v2\/tags?post=8250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}